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14. Hearing directional responses
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PRO STUDIO
Advanced Recording Techniques
Studio Masterclass
PRO VIDEO
Premiere Pro Ninja Edits
BIZ & MARKETING
Advanced Artist development
COMMUNITY
Music X Summit
E-Books
Resource Page
Discord Server
TOOLS
MIDI Store
Midi Tools
Streaming Royalty Calculators
QR Code Generator
My Account
Log In
NAVIGATION
Back to Studio Masterclass
Interacting with the module
Sound & hearing
Monitoring
Gear Basics
Microphones
Direct injection & re-amping
Recording basics
Microphone techniques
Session setup
Signal Flow
Drumset recording
Percussion recording
Piano recording
Electric guitar recording
Acoustic guitar recording
Electric bass
Acoustic bass recording
Strings recording
Horns recording
Vocal recording
Interacting with the module
Interacting with the module
Sound & hearing
1. Deconstructing sound
2. Frequency response
3. Understanding loudness
4. Demistifying dB
5. Measuring loudness
6. Mono vs. Stereo
Monitoring
7. Choosing your speaker set
8. Active vs. Passive
9. Monitor setup
Gear Basics
10. Choosing the right tools
11. Knowing your way around gear.
Microphones
12. Intro to microphones
13. Directional responses
14. Hearing directional responses
15. Bass proximity effect
16. Basic microphone controls
17. Mono microphone accessories
18. Stereo microphone accessories & beyond
Direct injection & re-amping
19. DI boxes
20. Re-amping
Recording basics
21. Understanding pre-amps
22. Gain staging & transients
23. Understanding metering
24. Distortion control
25. Processing during recording
26. Latency
Microphone techniques
27. Rooms & placement
28. Microphone selection
29. Mic placement
30. Phase cancellation & polarity
31. Stereo techniques
32. AB spaced pair
33. XY
34. ORTF
35. Blumlein
36. Mid-side (M/S)
37. Multi-microphone techniques
38. Glyn Johns
39. Decca Tree
Session setup
40. Session setup
41. Modern recording spaces
42. Room shapes & sizes
43. Talkback systems
44. Leakage
45. Noisematch Studios layout
46. Pre-production tips
47. Modern documentation & log
48. DAW template
49. Cue systems
Signal Flow
50. Signal flow
51. Input section
52. Dynamics section
53. EQ section
54. Output section
Drumset recording
55. Drum concept & tuning
56. Drum tuning lab
57. HEADS, STICKS & CYMBALS
58. Drumset setup
59. Room drumset placement
60. Recording setup
61. Kick drum recording
62. Snare drum recording
63. Toms recording
64.OVERHEADS RECORDING
65. Hi-hats and close mics
66. Drumset room microphones
67. Getting the drum sound
68. Sampling the drumset
Percussion recording
69. Percussion recording techniques
Piano recording
70. Concept & preparation
71. Tonal areas
72. The piano's lid
73. Mono recording
74. Stereo recording
Electric guitar recording
75. Concept & preparation
76. Recording Techniques
77. Mic placement lab
78. Stereo & ABY
Acoustic guitar recording
79. Concept & preparation
80. Recording techniques
Electric bass
81. Concept & techniques
Acoustic bass recording
82. Concept & techniques
Strings recording
83. Stings: solo & small ensembles
84. Large ensembles
Horns recording
85. Horns: concepts & techniques
Vocal recording
86. The vocal sound
87. Techniques & placement
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